Premiere Pro → Media Encoder

Turn selected clips into an organised AME batch.

Keep the edit you already made. Queue Timeline Clips creates a separate Adobe Media Encoder export for every selected timeline clip—while retaining effects, colour, reframing, speed changes, audio, and adjustment layers.

Get Queue Timeline Clips See how it works

Built for editors exporting lots of client-ready clips from one sequence.

Queue Timeline Clips
Premiere Pro
Timeline selection8 clips ready
Ready
Export presetSocial · 1080 × 1920
Filename{client}_{clip}_{index}
Next exportacme_launch_cutdown_08.mp4
Queue 8 clips in Media Encoder
ME
8 jobs addedAdobe Media Encoder
✓
One AME job per clip Timeline effects retained Custom export presets Clear queue markers

The problem

Stop exporting clips one at a time.

You have already chosen the moments, polished the edit, and made each clip look right. The slow part is creating individual exports, naming them consistently, and keeping track of what has already been queued.

The manual loop

Repeat for every clip

  1. 01Select a clip and set the range
  2. 02Open export and choose a preset
  3. 03Type and check the filename
  4. 04Send to AME, then start again
With Queue Timeline Clips

One focused handoff

Selected timeline clips
clip_01.mp4clip_02.mp4clip_03.mp4Organised AME jobs

Queue Timeline Clips handles the repetitive handoff so you can stay in the edit.

How it works

From selected clips to a ready-to-export AME batch.

Three steps. No rebuilding the edit. No repetitive export setup.

01

Select your clips

Choose the finished clips you want to deliver in your active Premiere Pro timeline.

02

Set the batch rules

Pick the tracks, AME preset, destination, and a filename pattern for the whole job.

03

Queue the batch

Send every selected clip to Adobe Media Encoder as its own organised export job.

Built for real editorial workflows

Keep the polish. Lose the repetitive setup.

Queue Timeline Clips works with the sequence you already built, then adds the control and visibility a high-volume delivery workflow needs.

01Sequence render

Preserve the timeline, not just the source file

Export the edit you actually made. Timeline effects, colour, scaling, reframing, speed changes, audio, and adjustment-layer effects remain in the sequence render.

02HD · 4K · Custom .epr

Use the delivery formats you already rely on

Start with bundled HD and 4K presets for 16:9 and 9:16 delivery, or choose your own Adobe Media Encoder .epr preset.

03Flexible tokens

Name every batch consistently

Build filename patterns with tokens for shooter ID, client, sequence, track, clip name, timecode, speed, and index.

04Track-level control

Choose exactly where clips come from

Select the relevant video tracks and queue only the clips selected in the timeline. See the clip count on each track before you send the batch.

05Timeline markers

See what has already been queued

Every successfully queued clip receives a green sequence marker, leaving a simple visual record directly in your timeline.

06Non-destructive workflow

Keep your edit safe

Original sequence in/out points are restored when the batch finishes. Disabled clips are skipped, with clear updates for queued, skipped, and failed items.

Made for editors who deliver lots of clips

The gap between “approved” and “delivered” just got shorter.

Whether you are cutting social content from a podcast, delivering event highlights, preparing client selects, or handing off a batch from an agency edit, remove the repetitive export setup and keep the work moving.

Explore Queue Timeline Clips
01Podcast social clips
02Event highlights
03Client selects
04Agency handoffs

Frequently asked questions

A few things editors usually ask.

Everything you need to know before adding the panel to your export workflow.

01Does it export each clip separately?

Yes. Every selected timeline clip becomes its own Adobe Media Encoder job.

02Will it keep my timeline effects?

Yes. The main export workflow renders the active sequence over each clip’s timeline range, preserving the visible timeline result.

03What happens with overlapping tracks?

Anything visible on other tracks during that clip’s time range is included in the render. For isolated exports, hide or disable unrelated visible timeline content first.

04Can I use my own AME preset?

Yes. Alongside the bundled HD and 4K landscape and vertical presets, you can select a custom .epr preset.

05What do I need?

Adobe Premiere Pro, Adobe Media Encoder, and an active Premiere Pro sequence.

Queue Timeline Clips

Spend less time setting up exports. Spend more time editing.

Turn the clips already selected in your Premiere Pro timeline into an organised Adobe Media Encoder batch.

Get Queue Timeline Clips
Premiere ProAdobe Media EncoderActive sequence